GAME Changers, the book to be launched in Cannes this week, tracing the evolution of advertising and 150 wonderful campaigns from the 50s to present.
This is the 8th year that the Philippine Daily Inquirer serves as the official representative of Cannes, the world’s biggest and most prestigious advertising festival of creativity, in the Philippines.
As official representative, it drums up excitement for the global event, suggests jury members from the home country if applicable, picks the Young Lions competitors and organizes winners’ events in close coordination with the Philippine 4A’s and related organizations.
By encouraging ad agencies to test their mettle against the best in the world, the newspaper has helped the Philippines produce one Gold, 5 Silver and a number of Bronze Lions in the Olympics of advertising.
The country has likewise bagged a Young Marketer Gold Lion in 2011 and Young Creative Silver Lion in 2010. Will 2013 be a lucky year for the Philippines? We will know after this week.
Filipinos who have judged in Cannes include David Guerrero, Emily Abrera, Melvin Mangada, David Ferrer, Leigh Reyes.
This year, Cannes received a total of 35,765 entries, from 92 countries all over the world, an all-time high.
Creatives spent about 18.5 million euros, about P1 billion, to submit their work just to win what people say “the most epic creative award in the world.”
How much does one entry cost? A single TV commercial entry costs 700 euros (about P40,000), print ad 435 euros (about P25,000), radio ad 460 euros (about P26,000) and the most expensive, the Titanium and Integrated Lion, 1,275 euros (about P73,000).
If you are attending as a delegate, be ready to cough up around 1,250 euros more to register. That doesn’t include hotel, airfare and food.
During the 7-day festival, delegates can have a fill of more than 34,000 pieces of work, attend an extensive and unique program of over 50 seminars, workshops and fora delivered by the most innovative thinkers in the global communications industry, honor the winning work at four awards ceremonies as well as network and celebrate creativity.
Ad Age columnist Jonathan Mildenhall, however, says it all: “To truly be the best at global marketing, you have to seek out the greatest examples from around the world.
We are as interested in learning from the best work in Korea and Chile as we are from the best work from the US and the UK Cannes provide an unrivaled global perspective.
Cannes attracts world leaders, tech-titans, ad gurus and Oscar-winning actors all attend Cannes, each provides inspiration and insight that serves to make us better creatives, better marketers and, in many cases, better human beings.
Cannes attracts the most diverse spread of creatively driven professionals in the world. Not just for today’s world but for tomorrow’s world.”
Cannes of a lifetime
It has been often said that an advertising professional’s career is incomplete if he or she has not experienced Cannes.
“A trip to Cannes is worth it, a learning that cannot be measured by money, an experience that can bring multiple positive things if you are mentoring new generation of talents,” says Pauline Feliciano-Warneck, a Cannes Gold Lion winning Pinay copywriter who worked with Leo Burnett Kuala Lumpur.
“It’s benchmarking with the best in the industry and knowing what standards we should be comparing ourselves with,” says a client who is now a regular Cannes delegate.
Cannes is celebrating its 60th year this weekend with a big bang and promises to make it the biggest and most memorable. A hugely successful marketing case, questions continue to pour however if it has improved through the years.
Admittedly yes, by becoming even more relevant and undergoing creative botox to make it even more desirable.
Over the last five years, organizers have introduced new categories and made the rules even tougher for serial scammers.
It has introduced Creative-Effectiveness, Integrated, Branded Content and Entertainment, and this year, the Innovation Lions.
The innovation Lion is designed to reward technologies and new platforms, apps, tools, mobile programs, hardware, products, and radical software, which allow brands and creatives to communicate with their customers in a new way.
Last year, 86 countries submitted a total of 34,000 entries (315 were from the Philippines) in 15 categories.
Today, inspite of the global economic crisis and controversies that momentarily dimmed its luster in 2008 and 2009, Cannes still allures and continues to be attractive, enticing the big guns in advertising and marketing people worldwide.
First Filipino Cannes Gold Lion
In 2008, JWT Manila’s “Traffic Therapy,” produced for client Lotus Spa, claimed the Philippines first Cannes Gold Lion. The ad was destined to make history as previous to that was chosen “Kidlat” Ad of the Year. It also brought home a gold from Cannes of Asia, AsiaAdFest in 2008.
BBDO Guerrero won a Silver Lion in 2005 for “Bunso” (Consuelo Foundation). The largely Ditsi Carolino documentary ad, stark and dramatic in black and white, created so much impact it paved the way for the creation of a law separating adolescent offenders from adult prison.
Ace Saatchi & Saatchi won an Outdoor Silver Lion in 2010 for North Face’ “Nature Products,” using sticks, leaves and rocks to imprint branding awareness.
DDB DM9 also won an Outdoor Silver Lion for Mini Cooper “Rollercoaster” and last year, BBDO Guerrero|Proximity Philippines also won a Silver Lion in Direct category, while its “Bottle Light” campaign for Pepsi won a Bronze in Promo and Media categories.
TBWA-Santiago, Mangada and Puno won an Outdoor Silver Lion in 2011 for Boysen’s “Creatures,” a sequel to the “Flowers” campaign released a year earlier by the agency which won three Cannes Bronze Lions.
The campaign has garnered a metal haul of 17 golds, 28 silvers and seven bronzes from various local and international awards shows like the Araw, Kidlat, Spikes Asia, New York Festivals and One Show.
Back in 2010, BBDO won a Bronze Lion for FedEx “Mud” while JWT Manila captured two Radio Bronze Lions for Kythe Foundation.
Older than Clio
Inspired by the International Film Festival, which had been staged in Cannes since the late 40s, a group of advertising professionals felt that ad makers from around the world should receive similar recognition.
The first Festival took place in Venice in September 1954, five years ahead of Clio, with 187 film entries from 14 countries competing.
The Lion of Piazza San Marcos in Venice was the inspiration for the Lion trophy. The second Festival was held in Monte Carlo and then in Cannes in 1956. After that, the Festival took place alternately between Venice and Cannes.
As Cannes Lions celebrates the very best in creative communications from around the world, it is set to launch “The Game Changers”, an exhibition and accompanying book that extol six decades of campaigns that have changed the landscape of the advertising industry forever.
From Volkswagen’s “Think Small” to the Nike Fuelband via Levi’s “Launderette,” it looks at the “firsts” from the creative companies that have been transforming brands for 60 years.