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Musicians sign MOA with Baguio hotels, restos on song fees

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AT THE Baguio Country Club, the signing of the MOA (Memorandum of Agreement) between members of HRAB and Filscap are done by (from left to right) HRAB legal council Abelardo Estrada, HRAB president Anthony de Leon, HRAB chair lawyer. Moises Cating, Filscap president Noel Cabangon, and Filscap in-house council lawyer Thursday Alciso. RICHARD BALONGLONG/INQUIRER NORTHERN LUZON

BAGUIO CITY—After a three-year negotiation, a group of singers and songwriters and the association of hotels and restaurants here have signed an agreement on the use of Filipino music in establishments in the city.

Representatives of the Filipino Society of Composers, Authors and Publishers Inc. (Filscap) and the Hotel and Restaurant Association Baguio (HRAB) agreed that business establishments playing original Pilipino music (OPM) will pay license fees and royalties.

Singer Noel Cabangon, Filscap president, says the agreement was not only about collecting fees but a way of educating people on the importance of copyright.

“As [business establishments] pay, they will also fully understand the importance of copyright and understand the copyright law. This is also a way of making them value the song as an intellectual property,” Cabangon says.

He says shops, shopping malls, hotels, restaurants and bars that play OPM in their establishments should pay copyright fees.

With the signing of a memorandum of agreement (MOA) on Saturday, Cabangon says Filscap will continue conducting an information campaign on the value of music.

Fees collected from establishments playing OPM will also be set aside to fund programs on music creation, music festivals and other activities that encourage the development of Filipino music.

He adds many business establishments have yet to fully understand and appreciate the value of intellectual property because this is not tangible.

“So these concepts have to be explained. These are mandated by law. We need an intensive information campaign,” he points out.

“We cannot just collect from clients just because we can sue them if they don’t. They have to be informed about why they should pay and with the information, they can pay willingly,” he says.

He notes Filscap’s 1,250 members will benefit from the payment of fees. Filscap is encouraging local composers and songwriters to become members so they can reap benefits from their creations, he says.

Anthony de Leon, HRAB president and general manager of Baguio Country Club, concurs the agreement is a way of respecting the work of Filipino musicians.

Lawyer Moises Cating, HRAB chair, explains: “Music is important in our business because it entertains our customers, and our customers appreciate music a lot.”

The MOA states HRAB members would be given special licensing concessions and discounted rates depending on the sitting capacity of the establishments.

Any complaint and pending cases filed by Filscap against local establishments will be dismissed if they become HRAB members.

Filscap, in its website, states any person or corporation authorizing a public performance in the country of any copyrighted music belonging to Filscap’s worldwide repertoire must obtain a public performance license from the group.

“Although Filscap is primarily comprised of Filipino composers and publishers, we protect over 20 million copyrighted local and foreign works.

That’s about 90 percent of the copyrighted musical work being played or performed in the country. This means that chances are, your establishment plays or performs music from our ever-increasing repertoire,” it states.

“A public performance license is needed regardless of whether the music is performed live or by recorded means and regardless of whether a fee for admission to that performance is charged,” it adds.

Cabangon adds Filscap would also sign a MOA with the Philippine Retailers Association of Cebu this year. “We were not able to collect fees for several years and now we want to assert that right which is accorded to music creators and writers,” he says.


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Tags: Baguio city , copyright , music

  • Alak_Pa

    I just wonder with the huge royalties that they collect may napupunta kaya sa artist o sa bulsa lang nila?  Paano nila nasisiguradong mapupunta sa singer o composer yung kita nila?  Para lang silang scam.  I can understand public performances pwede may bayad na royalty.  Pero yung tugtog ba sa radyo sa dyip o sa tindahan sa palengke o grocery e sisingilin pa nila.  E kung wala kayang magbayad sa kanila.  Tapos walang magpatugtog ng kahit na anong music.  E di pinatay din nila yung negosyo sa buong bansa. Ang hirap na ngang kumita ng pera dagdag papahirap pa sila.

    • muddygoose

      Yun din napunta sa isip ko. Actually, instead of charging royalties, I think they should encourage these establishments to play their music for at least several hours each day. This will ensure that they stay relevant and even popular.



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